导演杨雅喆率《血观音》一众主创上台领奖
这种境况,和颁发最佳导演时,新艺城元老集体亮相,大刷港片情怀的情形,构成了一种奇妙而尴尬的对比。新艺城时代,港台合拍很多,那是港片风头无两,影响台片的年头。而今,作为整体形象的港片,却沦落到仅供怀念与凭吊的份上。徐克、曾志伟和施南生仍旧活跃,但重心移到大陆;泰迪罗宾今不如昔,黄百鸣更是成了烂片招牌;以及,没到场的麦嘉和石天,处于半退隐状态。
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当然,对于一场颁奖礼,只看台面,这样的环节还是挺动人的。尽管,几位在台上的串词,比冯巩春晚追热词的姿势还尬。感谢金马执行委员会主席张艾嘉,她与新艺城、与港片有过一段罗曼史,也正因此,她促成了今年金马的感人一幕。只是,场内无法消解台面之外的尴尬。就像,看电影时,画框挡不住言外之意。颁奖现场,五位新艺城元老登台时,只有张艾嘉起立鼓掌,无人跟随。
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